Between Day and Night
I photograph the landscape at night using long exposures and at dawn by underexposing. The camera captures the frames as stills, freezing time and creating an image different from what the eye perceives. I like to believe that these resulting images are from a moment suspended between night and day.
At night, with long exposures, it’s possible to make an image look as if it were taken during the day. In early daylight, underexposure can create the sense of an image captured at night. I seek a balance between these two in my work.
My exposure and printing decisions enable me to take the surroundings I know so well and present them as they have never been seen before. What fascinates me about this process is that magical element of surprise. I venture out in search of scenes that contain an unknown light source or have some other mysterious quality. Of course there are times when I don’t find anything. Since the night sets the stage, I never know where I will wind up. It reminds me so much of life.
The camera is a mirror that allows me to see my surroundings with new eyes while at the same becoming more aware of myself. Out at night, alone, the day’s cares recede and the sense of time fades. Allowing a heightened awareness to take over, I direct my attention to conveying the quiet and solitude of the night. It is this shift in attention, I believe, that allows me to experience the moment with a different vision.
